Writings

More to come soon.

“Remembered Theatres”, Imagined Theatres, Issue 7 – Open, September 2023. 

Necroperformance: Cultural Reconstructions of The War Body by Dorota Sajewska (review)”, Theatre Journal, Vol. 79, Number 2, June 2022. 

“Memories and Poor Copies”, The Ekphrastic Review, May 2, 2022. 

“Archiving in Twilight”, PAJ: A Journal of Performance and Art, Vol. 4, Issue 2, May 2022.

Rag and Bone Aesthetics, Small Editions, 2022. 

“Annoatok”, Ample Remains, Issue 6, Winter 2022. 

“Toxic Nostalgia”, with Zach Trebino, Life Goes On: New Media Art 2022, CICA Press, 2021.

Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times, Routledge, 2021. 

“Depth and Duration”, Angel Rust, Issue 4, October 2021. 

“‘The Act of Sepulcher’: Effigies and Other Affects toward a Theory of Historiographic Performance”, Journal of Dramatic Theory and Criticism, Vol. 35, No. 2, Spring 2021. 

“New-Old”, with Anton Kerkula, The Flashpaper, Issue 3, Summer 2021.

“Theater in Quarantine”, International Journal of Performance Arts and Digital Media, Vol. 17, No. 2, May 16, 2021. 

“Staying Alive, or Live Art in Odd Places”, Culturebot, April 13, 2021.

“Bodies Submerged in Time and Shaping the Past”, March: A Journal of Art & Strategy, October 2020. 

“U.S.O.ver: How Performing Protest Became Endurance Art”, Cultbytes Magazine, Feb 21, 2018.

“U.S.O.ver: Where Real Americans Perform their Patriotism”, The Clyde Fitch Report, June 4, 2017. 

“Surrender the Center: Transparency and Performance as Historiography”, Ex Nunc, 2017.

“Errant Echoes”, Crack the Spine, 217, June 8, 2017.

“The Aetiology of Sweat”, Queen Mob’s Teahouse, August 23, 2016.

“Clubbed Thumb’s Men on Boats”, Culturebot, Aug 18, 2016.